When Orgon says with approval that he sees that Tartuffe reproves everything, takes extreme care of Orgon's honor, because Tartuffe warns Orgon of the people who cast loving eyes upon the lady, the audience can only laugh at Orgon's pride that Tartuffe more jealous of his wife than her own husband, and the lengths to which Tartuffe carries his pious zeal, accusing himself of sin for the slightest thing imaginable. The audience laughs because when Orgon protests that a mere trifle is enough to shock Tartuffe, the outsider understands that Orgon's lack of a sense of true self-worth is being taken advantage of -- the more he is criticized, and the more he is seen in his own eyes as lacking in relation to Tartuffe, the more Orgon approves of the person who is doing the critiquing! In contrast, Orgon undervalues Dorine the maid, a genuinely good woman of no status, who wishes to protect her wise and moral mistress and is truly clever and full of spirit.
Even Mr. Rao of "Monkey" lacks the extreme self-abasement of Orgon, and thus is not quite as easily deceived by transparent and put-upon appearances. While one might excuse Rao's unwillingness to trust one's daughter's fate to a monkey, Orgon is willing to marry Tartuffe to his young, lovely, and kindly daughter Marianne against her will simply because Tartuffe instructs him to do so. The only reason that Orgon blames the suitors of Orgon's daughter Marianne, and is so jealous of Orgon's wife is that Tartuffe wants to marry the girl to insinuate himself in the family, and to make love to Orgon's wife.
Of course, both plays show that expertise is no guarantee of moral truth. The...
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